David Bowie’s classic sci-fi film as an alien in a strange land has been adapted to a graphic novel by Titan Comics

Read time 4 minutes

Photography David James. Courtesy of Taschen (Copyright: © 1976 Studiocanal Films Ltd. All rights reserved.)

Falling Again: Revisiting David Bowie’s Iconic Role Through a Graphic Novel Adaptation A visual and narrative homage to a timeless sci-fi classic.

David Bowie’s unforgettable portrayal of Thomas Jerome Newton in Nicolas Roeg’s 1976 film The Man Who Fell to Earth remains etched in cinematic history. Now, Titan Comics is reimagining this iconic story in a graphic novel, bringing Bowie’s likeness back to life as they adapt Walter Tevis’ 1963 novel. This new project promises to rekindle the magic of an extraterrestrial tale that has captivated generations.

Written by Dan Watters, renowned for his work on Cowboy Bebop, and illustrated by Dev Pramanik, the artist behind Dune: House Atreides, the graphic novel offers a fresh take on Tevis’ timeless narrative. Scheduled for release in autumn 2022, the book aims to blend stunning visuals with profound storytelling to honor the legacy of the cult classic.

The story once again follows Thomas Jerome Newton, an alien who arrives on Earth in search of water to save his dying home planet. Through his intellectual and technological prowess, Newton accumulates wealth and devises a plan to transport water back home, only to be met with obstacles from corporate rivals, the government, and media frenzy.

Photography David James. Courtesy of Taschen (Copyright: © 1976 Studiocanal Films Ltd. All rights reserved.)

In a statement, writer Dan Watters reflects on the enduring relevance of The Man Who Fell to Earth. “There are ideas in the film, about climate crises and corporate greed, that are more relevant now than they were when Nicolas Roeg set out to make it,” Watters explains.

Watters highlights the importance of revisiting this narrative, stating, “I think it’s high time to look at the world through Thomas Newton’s mismatched eyes all over again. Perhaps he’ll see something we’ve been missing.” The graphic novel is set to explore humanity’s struggles through the lens of an otherworldly outsider.

Titan Comics has released teaser images from the graphic novel, showcasing the creative synergy between Watters and Pramanik. The artwork promises to capture the haunting beauty and emotional depth that made the original film a masterpiece.

David Bowie’s portrayal of Newton has become synonymous with the story, making his likeness in the graphic novel a fitting tribute. Pramanik’s art seeks to encapsulate Bowie’s ethereal presence and enigmatic personality.

The graphic novel isn’t the only adaptation of The Man Who Fell to Earth on the horizon. A TV series starring Chiwetel Ejiofor and Naomie Harris is also set to premiere on Showtime in spring, expanding the narrative into a new medium.

Bowie’s influence on sci-fi and pop culture remains unparalleled. His connection to Newton’s character reflects his own persona as an enigmatic and otherworldly artist, a theme that continues to captivate fans worldwide.

“There’s a reason Newton’s story remains so powerful,” says Watters. “Through his mismatched eyes, we’re reminded of what it means to be human in an ever-changing world.”

Themes of environmental collapse and corporate greed, central to Newton’s story, resonate strongly in today’s world. The graphic novel’s exploration of these topics will undoubtedly offer a thought-provoking commentary on contemporary challenges.

The collaboration between Watters and Pramanik aims to offer readers a deeper understanding of Newton’s journey. Their interpretation will shed light on the internal struggles of an alien forced to navigate human complexities.

From Tevis’ original novel to Roeg’s film and now a graphic novel, The Man Who Fell to Earth has evolved across different mediums. Each adaptation adds new dimensions to the story while preserving its core essence.

Fans eagerly anticipate how the graphic novel will reinterpret iconic moments from the film. Pramanik’s illustrations aim to merge nostalgia with innovation, creating a modern masterpiece for old and new audiences alike.

At its heart, Newton’s story is one of loneliness and longing. The graphic novel promises to delve into the emotional toll of his mission, exploring his vulnerability in an unwelcoming world.

The Man Who Fell to Earth isn’t just a sci-fi tale; it’s a profound exploration of humanity’s flaws and virtues. The new adaptation seeks to balance its entertainment value with meaningful social commentary.

Watters and Pramanik’s partnership embodies the spirit of creativity and collaboration. Their combined expertise in storytelling and visuals will bring a fresh perspective to this beloved tale.

As fans await the release of the graphic novel, excitement grows for its potential to reignite interest in The Man Who Fell to Earth. The project stands as a testament to the timeless appeal of Tevis’ original story.

At its core, The Man Who Fell to Earth reminds us of the importance of empathy, resilience, and self-reflection. In revisiting Newton’s journey, the graphic novel invites readers to confront their own humanity through the eyes of an alien.

Text by
Adrian Hendrix

Posted
January 27, 2022

Text by
Adrian Hendrix

August 9, 2018

David Bowie’s performance in Nicolas Roeg’s The Man Who Fell to Earth is so iconic that a new graphic novel adaptation – based on Walter Tevis’ 1963 novel of the same name – will lead with his likeness. Set to be released by Titan Comics later this year, the sci-fi book will be written by Dan Watters (author of Cowboy Bebop) with art from Dev Pramanik (Dune: House Atreides).

As in the cult classic film from 1976, the new book will tell the story of Thomas Jerome Newton, an extraterrestrial who touches down on Earth in a desperate search for water, which his home planet needs for survival. As he grows rich and devises a way to transport water back to his planet, he faces increased scrutiny from the press, the US government, and a rival company.

Photography **David James**. Courtesy of **Taschen** (Copyright: © 1976 **Studiocanal Films Ltd**. All rights reserved.)

“The Man Who Fell to Earth is a masterpiece of a film with an awful lot to say; about men, about the Earth, and lots of things in between,” says Watters in a statement (via Entertainment Weekly). “There are ideas in the film, about climate crises and corporate greed, that are more relevant now than they were when Nicolas Roeg set out to make it. And now here we are.”

“I think it’s high time to look at the world through Thomas Newton’s mismatched eyes all over again. Perhaps he’ll see something we’ve been missing.”

Titan Comics has shared several teaser images from the graphic novel adaptation of The Man Who Fell to Earth (see below), with the full book set to arrive in autumn 2022. A much-anticipated TV adaptation – starring Chiwetel Ejiofor and Naomie Harris – is also scheduled to debut on Showtime in spring.

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Here & Now

Dissenting from reality: Meet Mua Sabu Suzuki and Photographer Mika Kailes

Read time 4 minutes

Text by
Kaden Mason

Photography by
Mika Kailes

Posted
March 30, 2024

Photography by Mika Kailes.

Make-up is more than a beauty ritual; it’s a reclamation of identity, a rebellion against the predetermined, and a medium for expression.

In a world that is often preoccupied with conventional beauty standards, make-up has become more than just a tool for enhancing appearance—it has evolved into a form of rebellion, a medium for storytelling, and a catalyst for self-discovery. For 21-year-old make-up artist Sabu Suzuki, the transformative power of make-up transcends its surface-level appeal. Swedish-born and London-based, Suzuki’s artistry is bold, intentional, and disruptive, challenging societal norms and redefining what it means to be beautiful in an era of conformity.

Suzuki’s recent collaboration with photographer Mika Kailes is a testament to his unique approach to the craft. Together, they have created a series of striking images that capture the fluidity of identity and the interplay between light and texture. Each look tells a story that resonates on both a personal and universal level. For Sabu, make-up is not just about painting faces—it’s about bringing inner truths to life and celebrating individuality in its most unapologetic form.

But Sabu’s journey hasn’t been without challenges. From navigating a competitive industry to overcoming personal struggles, he has faced moments of doubt and uncertainty. Yet, through it all, he has remained steadfast in his belief that make-up is a powerful medium of expression. “Make-up,” he says, “is not about hiding who you are—it’s about revealing who you want to be.”

As we sit down for this conversation, Sabu reflects on his beginnings, inspirations, and the philosophies that drive his work. With a laugh as vibrant as his creations, he welcomes us into his world—a space where art meets identity, and where every brushstroke is an act of self-empowerment.

Photography by Mika Kailes.

Kaden: Can you recall the first time you did someone’s make-up? What was the experience like?

Sabu Suzuki: Oh, absolutely! It’s seared into my memory—partly because it was such a disaster but also because it was a pivotal moment for me. I remember using this drugstore foundation that was completely the wrong shade and piling it on like I was frosting a cake. The end result wasn’t pretty, but there was something magical about the process. It was the first time I felt the thrill of transforming someone’s appearance, even if I didn’t quite know what I was doing. I think those early attempts are crucial—they teach you to embrace imperfection and to keep experimenting until you find your voice. Looking back, I realize that the heart of what I do now was already there in those clumsy moments: the desire to tell a story and create something meaningful.

Kaden: Why do you believe make-up is important in today’s world? It feels like people have very polarized opinions about it.

Sabu Suzuki: That’s such a loaded question, but I love it because it gets to the heart of why I do what I do. Make-up is important because it’s one of the few art forms that’s accessible to almost everyone. You don’t need a gallery or a platform to make an impact—you just need a face and some imagination. At the same time, it’s also a deeply personal thing. For some, it’s a way to express joy or creativity; for others, it’s a shield or a source of confidence. What’s fascinating to me is how polarizing it can be. Some people see it as empowering, while others see it as superficial. I think both perspectives miss the point. Make-up isn’t about vanity or conformity—it’s about choice. It’s about taking control of how you present yourself to the world, and in that sense, it’s incredibly powerful.

Photography by Mika Kailes.

Kaden: When did you know that make-up was going to be more than just a hobby for you?

Sabu Suzuki: That realization hit me like a ton of bricks during one of the hardest periods of my life. I was going through a lot emotionally and felt completely disconnected from myself. One day, almost on a whim, I started playing with make-up. It wasn’t for a job or a look—I was just painting my face to see if I could create something that felt alive. That process became my therapy. It helped me reconnect with parts of myself that I thought were lost. Over time, I started to see make-up not just as a coping mechanism but as a calling. It became clear to me that this was what I was meant to do—not just for myself but for others, too.

Kaden: How do you view make-up as an art form? A lot of people still see it as something trivial or surface-level.

Sabu Suzuki: I completely disagree with that mindset. Make-up is one of the most dynamic art forms because it’s alive. Think about it: you’re working on a canvas that breathes, emotes, and changes with every passing moment. That’s what makes it so exciting—and also so challenging. You’re not just creating something to look at; you’re creating something that interacts with the world. For me, make-up is about transformation, not just in a physical sense but on an emotional and spiritual level, too. It’s about taking what’s inside and bringing it to the surface in a way that feels authentic and powerful.

“Make-up isn’t just an accessory—it’s a declaration of freedom. It’s the power to rewrite your story and embrace the beauty of becoming.” — Sabu Suzuki

Photography by Mika Kailes.

Kaden: Your work feels deeply personal. How do you navigate creating something that resonates with your own story but also connects with others?

Sabu Suzuki: That’s a balance I’m always trying to strike. My work is undeniably rooted in my personal experiences—my struggles, my identity, and even my joys. But what I’ve learned is that the more specific you get, the more universal it becomes. People see their own stories in your honesty. When I create a look, I’m not just thinking about what it means to me; I’m thinking about how someone else might interpret it. It’s like planting a seed and letting others grow their own meaning from it. That’s the beauty of art—it becomes a shared experience.

Kaden: Have you ever felt pressure to conform to certain beauty trends or standards, especially in the industry?

Sabu Suzuki: Oh, absolutely. The beauty industry is full of unspoken rules and trends that you’re “supposed” to follow. But honestly, I’ve never been interested in playing by those rules. Early in my career, I felt that pressure to create looks that were “trendy” or “marketable,” but it didn’t feel authentic to me. I realized I’d rather be known for doing something unique—even if it’s polarizing—than for creating work that looks like everyone else’s. The way I see it, trends come and go, but authenticity lasts forever.

Photography by Mika Kailes.

Kaden: What inspires you when you’re working on a new look or concept? Do you draw from specific sources?

Sabu Suzuki: Inspiration is everywhere if you’re open to it. I get ideas from the most random things—like the way light hits a cracked mirror or the texture of peeling paint on a wall. Music plays a huge role, too. Sometimes a single song can inspire an entire look. And of course, people inspire me—how they move, how they express themselves, how they carry their stories in their faces. I think the most exciting part of being an artist is that you never run out of things to be inspired by. The world is a giant mood board if you pay attention.

Kaden: What advice would you give to someone who’s just starting out as a make-up artist but feels overwhelmed by the competition?

Sabu Suzuki: First of all, it’s okay to feel overwhelmed—that’s normal. But don’t let it paralyze you. The best advice I can give is to focus on finding your own voice. It’s tempting to look at what others are doing and try to emulate that, but the only way to stand out is to be true to yourself. Experiment, make mistakes, and don’t be afraid to create something that feels “wrong” by industry standards. Some of the most groundbreaking work comes from people who dared to do things differently. And remember, your journey is yours alone—don’t compare your chapter one to someone else’s chapter ten.

Photography by Mika Kailes.

As our conversation winds down, it’s clear that Sabu Suzuki is not just a make-up artist—he’s a visionary. His work challenges conventional ideas about beauty, art, and identity, inviting us to see make-up as a tool for empowerment and self-expression. Through his bold creations, he encourages us to embrace imperfection and celebrate individuality.

Sabu’s journey is a reminder that art can emerge from the most unexpected places. Whether it’s inspired by a moment of personal struggle or the mundane patterns of everyday life, his work proves that beauty is everywhere if you’re willing to look for it. His collaboration with Mika Kailes is a shining example of how make-up can transcend its traditional boundaries, becoming a medium for storytelling and connection.

But perhaps the most profound takeaway from Sabu’s story is his unwavering belief in the power of choice. “Make-up,” he says, “is not about conforming to someone else’s standards. It’s about creating your own rules and living by them. It’s about taking control of your narrative and saying, ‘This is who I am.’”